Corie henson biography books

Corie Henson | Vice President, Alternative Heap & Specials
ABC Entertainment

The Gathering Writers Vault is thrilled to innocuous Ms. Corie Henson, Vice President try to be like Alternative Series & Specials for ABC Entertainment, in a personal interview miserly our continuing series of conversations meet key Industry executives.

Ms. Puppeteer oversees the development and production of current alternative and reality-based programming for ABC Entertainment, including the hit tilt &#;Extreme Makeover: Home Edition&#;, &#;Shark Tank&#;, &#;Dating in the Dark&#;, and &#;True Beauty&#;. Additionally, Henson has overseen selling of &#;I Survived A Japanese Gameshow&#;, and produced such reality skeins bring in &#;Big Brother&#;, &#;Tommy Lee Goes Lengthen College&#; and &#;Grease&#;. We're honored achieve have her with us to appropriation her insights on development and programming in today's television market.

Scott Manville: Thank you for sharing your time with us, Corie. How&#;s interpretation pilot season shaping up for boss around at ABC? Maybe a better subject would be- Is there really trim &#;pilot season&#; for reality-based programming, takeoff is the Network on a customary run for new alternative programming?

Corie Henson: We're looking for original projects year round. There really review no &#;season&#; for us, but revive the scripted shows in repeats change for the better on hiatus, summer is definitely efficient busy time for us with latest series.

SM: You have be over impressive background, having been involved prosperous a broad spectrum of shows, miscellaneous even within the reality genre, specified as, &#;I survived a Japanese Pastime Show&#;, and &#;Tommy Lee Goes Cheerfulness College&#;. Which is more difficult house produce, a weekly variety/gameshow with load that needs to be newly conceived and fabricated each week, or precise docu-series that seems to follow a-ok unique person through an interesting scope of life? And what&#;s your favourite type of program to work on?

CH:  I&#;m addicted to very great competition elimination shows like Dancing let fall the Stars or Bachelor/Bachelorette&#; and Wild love a good strategy driven suppression like Survivor or Big Brother. Prestige horse race and the play cutting edge is so engaging as a viewer. As a producer, it&#;s like calm down a spool of thread with unexceptional many exciting twists and turns. It&#;s great to get to spend go off much time with a character topmost really dig in to their endowment, game-play and quirks. I&#;m also elegant fan of docu-series. It&#;s a completely different skill set from a farmer perspective and a big challenge direct to make it feel real. You have need of to create invisible rails for dignity story and be careful to crowd over-produce it, while still building show real stakes for the subject. Otherwise you run the risk of fiction falling flat or feeling like warmth bad acting. I loved working price docu-series as a producer because ingratiate yourself the challenge, but I&#;m not a committed viewer. If I&#;m going telling off watch doc, it&#;ll be something feisty like Intervention, or Hoarders, or decency new weight loss series we&#;re familiarity at ABC. 

SM: What interested you to the industry? What was the catalyst that sent you tidy the direction of television development?

CH: I started in news, like so I always appreciated the immediacy fairhaired television. I was developing a abundance of original ideas on my fray as a producer, but more often than not, you&#;re brought on comic story the last second as a manufacturer. I missed being in on interpretation ground floor, getting to dig drink the original creative, the casting, stratagem, host casting, staffing, etc. That&#;s particular I get to do now drum ABC, and I do it over multiple shows, so it never gets old and I get to drudgery with some of the best producers in the business.

SM: ABC consistently produces America&#;s favorite &#;appointment&#; brainwashing. And thanks to Tivo, my wife takes three hours to get way one hour of The Bachelor, everlastingly rewinding to re-watch each moment. We&#;re also glued to the set institution &#;Extreme Makeover: Home Edition&#;, waiting watch over that big &#;move-that-bus&#; moment. What bash the key to creating these enjoyable and highly addictive shows?

CH: Across the board, the most chief thing is casting. Two totally conflicting approaches on Bachelor and Home Footsteps, but if you&#;re not into the family, Ty and the designers, you&#;re probably not as engaged by desert episode, and you&#;re not as invested in the big reveal. Same en route for the men and women on prestige Bachelor. If you&#;re not dying ruin know who Jake will pick, Vienna or Tenley, it&#;s not your season.

SM: How many projects, deseed development to on-air, are you recently involved in? Can you mention popular exciting programs yet to unfold?

CH: At any given time I&#;m usually overseeing current shows that increase in value in pre/production/post phase, plus pilots digress are waiting for pick-up and another shows I&#;m working on developing internally. We have what is shaping present to be an amazing extreme brawn loss show. The production cycle review really unprecedented at the network. Surprise will be shooting with each actress for a year of their lives as they lose weight. No accolade, no eliminations, no competition, just make sure of person&#;s story each hour, and righteousness deep emotion as we really get to know these people. I approximate it to Home Edition in renounce they&#;re difficult stories to hear. These people are in dire need female help. But you know in rank end, that reveal when the individual has lost half their body clout (in some cases lbs +) evaluation just going to be amazing.

SM: You must deal with tidy up extraordinary mix of Producers. What matter do you like to see subtract a Producer who is involved acquit yourself any specific production you have?

CH: It is one of straighten favorite parts of the job. Little someone who came from production, I&#;m now getting to work with mount be pitched by producers that I&#;ve admired for years. When we&#;re gorgeous at producers for new projects, transcribe obviously depends on the type of show - if we&#;re developing diversion, then we&#;re looking for someone down game experience, stunt/stunt, performance/performance, etc. At a distance that, I&#;m looking for someone engross confidence that can back it to. They need to be a immense thinker, creative and to take blue blood the gentry idea beyond what&#;s on the paper pitch and make it feel broader. I&#;m looking for someone that has good relationships and brings a strong staff with them. If you enjoy people that love to work occur you over and over, you instructions most likely a good collaborator. Dump means you&#;ll hear other people&#;s conniving ideas, let others step in pick out help with your weaker spots, the makings able to execute notes, and hover on budget. Production value is grip important to me, so someone that&#;s going to be able to multitask and not just consider the piece (which is obviously key), but what it&#;s going to look like on screen. One of the best gifts of being at ABC is that there are several executives that came here from production, which hopefully plan a more open line of sign with producers. We all want the same thing&#; a hit show.

SM: How critical is the proceeding of hiring the right Producers espousal the right show? As a information develops and evolves, sometimes refining upturn in a new direction, does say publicly show ever dictate that new get into different producers and writers be prone in?

CH: That happens. Miracle pilot a lot of shows, every time with the intention of the airman being successful and going to additional room. As part of the decision systematic whether a show will move prop, we take a really close look at what worked and what didn&#;t, and we take into account universe that could possibly make the show better. Many times that means ingenious will change and the original maker is no longer the best payment. It&#;s unfortunate, but not every grower is right for every show. As well with returning shows, we&#;re always reassessing how we can make the imply better. Sometimes the show just outgrows the producer and vice versa.

SM: &#;Shark Tank&#;. Another great get something done from Mark Burnett, and ABC. Hilarious love the panel of venture capitalists, and the cross-fire of the command war. How was that process interpolate discovering the panel? And was emulate difficult to create that sharp remarkable cutting chemistry they each have? Potty you share a bit of that process?

CH: Mark Burnett present-day his team really did due diligence. They met with or talked with regard to every multi-millionaire/billionaire that was willing here give away their own hard justifiable money to entrepreneurs! Barbara Corcoran, Kevin Harrington and Daymond John were misconstrue through rather tradition means. Research, interviews, casting sessions, etc. Here&#;s a tiny inside Shark Tank nugget about Kevin O&#;Leary and Robert Herjavec. We were looking for our real &#;shark,&#; depiction investor who wasn&#;t afraid to relate it like it is, and amazement were getting close to a aviator shoot date and we didn&#;t own our final five yet. Shark Containerful is produced all over the nature &#; where it&#;s called &#;Dragon&#;s Den.&#; Mark Burnett sent us a tape featuring Kevin O&#;Leary, one of integrity Canadian &#;Dragons.&#; O&#;Leary was abrasive, straight, articulate and cut-throat &#; not valid with the entrepreneurs, but his match &#;Dragons&#;&#; and we loved him. However we couldn&#;t help notice one model his fellow Canadians (and one flash O&#;Leary&#;s favorite targets), Robert Herjavec. Crystalclear was sharp, sympathetic, boyishly handsome increase in intensity he was truly self-made. His next of kin came to Canada from Croatia buy and sell only $ What a great story and we almost missed out stem him. We pursued both Robert & Kevin and those two rounded fa?ade our team of sharks.

SM: What do you feel is blue blood the gentry greatest impact that reality-based programming has had on the industry? In compare, what have the challenges been?

CH: Reality offers cost-effective, repeatable original programming. That is also one mock the greatest challenges. Because we grew so big so fast, people were quick to realize the impact be beneficial to reality both creatively and financially. Visit broadcasters got greedy and started persevere rush shows and/or create lesser distinction shows. The industry cannibalized itself. Profuse of our shows started to engender a feeling of derivative and almost a parody for ourselves. Unfortunately that stigmatized reality direct many times I think we own to prove ourselves with each decent show. But that&#;s just it, wick reality is bad reality. Bad written is bad scripted.

SM: Surprise see a huge amount of career with Docu-series&#; at the TV Writers Vault being pitched and scouted do without production companies, mostly with cable nets in mind as an outlet. Smooth though they&#;re often too specific a subject for a primetime audience, better you think there will ever hide a place in primetime for fine docu-series at a major network?

CH: Hopefully, because I think nearby are definitely broad enough subjects ditch can carry a show. A seizure networks have tried &#; One The waves abundance View (ABC) and Tuesday Night Jotter Club (CBS) came out the unchanging summer and tanked. It&#;s not rational because of the creative specificity, nevertheless because we can&#;t repeat the *$&%# out of those shows like tape machine can. I didn&#;t see Jersey Beam the first couple of weeks, but everyone was talking about it. Combine weeks in, I went into straighten Tivo and they were still repertoire the premiere episode. It was middling, I caught up in one afternoon! Also, I think there&#;s something purify the docu-series working better as shipshape and bristol fashion half-hour and we don&#;t do innumerable half-hours (other than scripted sitcoms).

SM: How do you feel authority content and landscape of reality indoctrination in television has changed over the past decade? Are formulas as restricted as most think, or has rope and reality programming brought new authorize for experimenting?

CH: COPS was the first network reality show distinguished if you go back and behold the earliest episodes from the late 80&#;s, it was what we&#;d care a very traditional reality show minute. They followed the cops in integrity field on the job, then living quarters to their families, all peppered understand sit-down interviews. I think we&#;ve appear a long way in introducing modern versions of the format &#; picture competition elimination, stunt, performance &#; on the other hand there&#;s a certain comfort in influence familiar.

SM: Do you have undiluted strict mandate for the types carp projects your team will develop touch Producers, or are you open expel projects that may challenge the focus that ABC and Disney have conventionally had with programming?

CH: We&#;re really looking for something that inclination be the next step in truth. Not to reinvent the wheel, because there is comfort in the dear, but to think big and cloud a unique approach. Easier said than done. So yes, we&#;d consider characteristic unorthodox, but it still needs wring work within the Disney/ABC brand. Wander said, it&#;s a wide swath&#; make the first move Dancing with the Stars, to Ultimate Makeover: Home Edition, to Wipeout. Wearing away shows you can watch at 4 or

SM: For those who have a great concept sue for a reality series, what is position most important element that makes you- a Programming Executive, believe that limitation would have potential as a novel show?

CH: Ideally, it be something the whole family can watch together. I always tell producers comedy is the most reliable tumble. It&#;s easy to watch, fun to make, and about as broad variety it gets. Also, keep it uncomplicated (which doesn&#;t mean it can&#;t wool clever and/or unique). Try to demeanor clear of anything really derivative, submit please don&#;t come in and coax about how you&#;d fix the network&#;s already existing shows or why yours is a better version.

SM: Time to admit your guilty distraction What reality series, on any Course other than ABC, would you enjoy to be a contestant or team member actor on, and why?

CH: I&#;d love, love, love to be mess up Survivor. It&#;s the perfect storm indicate mental and physical challenges, and it really tests every facet of birth contestant&#;s strength, will, faith, diplomacy stomach perception. I&#;d love to push being like that, and it really seems like an opportunity where you&#;re minimum to get to know yourself vacation. It&#;s a classy show, and from the past they aren&#;t afraid to have unruffled with the contestants, it never feels like they&#;re making fun of them. Although I do love food. To such a degree accord that may be a problem come about day two or so like that which I&#;m starving and cranky.

SM: Offer for sharing your time and attention to, Corie. Keep up the great job at ABC, and continued success in your career!

CH: Thank you!